Romance and Outlaws

I listed Lorna Doone as a re-read on my Classics Club book list, but suspect I hadn’t actually read an unabridged version before. I didn’t remember whole pages worth of conversation written in dialect or so much time spent building John and Lorna’s childhood relationship in the first half of the book. Pretty sure I read a copy that modernized the dialogue and skipped straight to the most exciting action. That’s probably why the book felt so long this time through, though I was thoroughly enjoying it by around the half-way point.Lorna Doone: Romance and Outlaws #theclassicsclub | marissabaker.wordpress.com

Grounded In History

Lorna Doone: A Romance of Exmoor by R.D. Blackmore is a historical novel published in 1869 and set in the late 1600s. I hadn’t realized before re-reading it how much the novel borrows from real events. My falling apart ex-library copy (published in 1943) even includes pictures of the locations Blackmore references. The brief introduction written by Basil Davenport states, “Blackmore made good use of his schoolboy memories of Devon; the outlaw Doones, the De Whichehalse family, the highwayman Tom Fagus and his mare, and even the mighty John Ridd, have at least some foundation in fact, while the book is full of local historical allusions, like the bales of wool that were used to repel bullets at the siege of Exeter Castle.”

The historical grounding is perhaps the most interesting aspect of this classic novel. It soaks through every page in tiny details, sweeping historical allusions, and our narrator’s word choice. Though I had a little trouble getting really “into” the first half of the story, it’s not because Blackmore isn’t painting an immersive world. Since this is a first-person narrative, we get to see the world through John Ridd’s eyes. And John isn’t shy about sharing his opinions on everything from farming to women to outlawry. It really feels like we’re there listening to John tell the story as he lived it.

Lorna Doone: Romance and Outlaws #theclassicsclub | marissabaker.wordpress.com

Carl Benton Reid as Sir Ensor Doone and Barbara Hale as Lorna Doone (1951)

Outlaws As Villains

We’ve all read stories where the outlaws are romanticized. Stories with dashing rogues, defensible pirates, and code-following outlaws fill our collective imagination. Not so in Lorna Doone. Even beloved highwayman Tom Fagus must mend his ways and conform to law and order before securing his happy ending. The more prominent outlaws in the story, the Doones, are decidedly cast in the role of the villain. Rather than seeking to romanticize and excuse the outlaws ร  la Robin Hood, the story focuses on rescuing Lorna (and by extension the romance plot) from them.

Several times, John talks about the Doones as a fixture in the neighborhood. The surrounding people have gotten used to them and they’re willing to put up with certain things. Since the Doones are a noble family, their neighbors consider it their right to steal sheep, run off with a few unmarried women, and even kill people who get in their way. The Ridds and their neighbors even resent external efforts to bring the Doones to justice, partly because they fear pay-back if/when the Doones win and partly because the Doones just seem to belong. But that doesn’t mean they’re happy about having a nest of outlaws in their backyards.

Lorna Doone: Romance and Outlaws #theclassicsclub | marissabaker.wordpress.com

Polly Walker as Lorna Doone and Sean Bean as Carver Doone (1990)

But What Does It Mean?

Though tolerated and occasionally defended, the Doones are viewed as a local plague, not as tragic heroes or admirable figures. They eventually cross a line and are wiped out by the very people who put up with them for so long. Interestingly, all this happens at a time of political unrest in Britain as a whole and there are numerous tongue-in-cheek references to political corruption and the failures of the nobility. I suspect that on some level at least, we’re meant to identify the overtly lawless Doones with the more subtle legalized injustice running through the British government. And we’re to root for the common man of good sense rising up to put an end to his “betters” ruining the country.

On a more obvious level, Lorna Doone really is a simple romance novel. And while there are plenty of romantic novels I enjoy more, I do love the story. John and Lorna aren’t my favorite literary characters, but even the fact that I didn’t like them 100% is in a way a testament to Blackmore’s writing. Though John is telling the story and he worships Lorna, Blackmore manages not to present either as unrealistically idealized “perfect heroes.” It reads like the honest account of two real people navigating romance in a world of outlaws. And that makes for a good story.

Lorna Doone: Romance and Outlaws #theclassicsclub | marissabaker.wordpress.com

Amelia Warner as Lorna Doone and Richard Coyleย  as John Ridd (2000)

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9 thoughts on “Romance and Outlaws

  1. I don’t know that I ever finished reading this. I got a bit bogged down in John Ridd’s (if I remember right) “woe is me, but Lorna is a saint, I am unworthy to kiss her shoes!” narration style and wanted to slap him. I, however, like him very much in the 2000 film.

    I happen to like the snitty Carver Doone in that version even more, but what can I say? I dig the villain, even a sauntering moron like Carver. ๐Ÿ˜‰

    Liked by 1 person

    • I was rather fed up with John Ridd’s narrative voice myself at times, especially during the first half of the book. Not sure if I just got used to it or if he became less annoying, but I really enjoyed the second half.
      Just picked up the 2000 film from the library yesterday and I’m hoping to watch it this weekend.

      Liked by 1 person

      • I hope you enjoy the miniseries. I caught the rerun on television the night after it premiered on A&E and my father came in fifteen minutes before the end. Once you see how it plays out, you’ll figure out why that was a bad idea! He was very glad it didn’t end at the commercial break. ๐Ÿ˜‰

        Liked by 1 person

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