As I’ve mentioned once or twice before, I have something of an obsession with tall ships. This is probably a result of my love for stories set during the Age of Sail. One such story is Captain Blood by Rafael Sabatini, first published in 1922.
This book wasn’t on my original Classics Club list. I’d already read it and hadn’t intended a reread, especially after being disappointed by Sabatini’s Bardelys the Magnificent. But I ended up with a digital copy on my phone a year or so ago and started reading it while in a waiting room. So of course I had to finish it — one simply doesn’t abandon an adventure novel in the middle of the story.
I’m (once again) in the midst of a pirate obsession, for which we can thank the recent release of Daughter of the Siren Queen (sequel to my 2nd favorite novel of 2017, Daughter of the Pirate King). So I started reading a book on the history of pirates in reality and fiction, which prompted me to watch the 1935 version of Captain Blood. And that brings me to my decision to write a post for the classic novel.
But first, a brief digression about the film, which is really quite impressive. $1 million went into its production (to put this in perspective, online estimates tell me that $1 in 1935 has the same buying power as $17-18 today). It launched Errol Flynn’s and Olivia de Havilland’s careers and made an overall profit of $1.5 million. And it was scandalously realistic for a 1930s audience. In fact, a screenwriter named Robert Lord wrote to the producer, Hal Wallis, asking “Why do you have so much flogging, torturing, and physical cruelty in Captain Blood? … Women and children will be warned to stay away from the picture — and rightly so” (quoted in Under The Black Flag by David Cordingly, p.174). Read more